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Hong Kong

城市當代舞蹈節2017《妮娜·祭品物質化》NINA·materialize sacrifice

20:00 - 22:00
20:00 − 22:00
Hong Kong

Event info

城市當代舞蹈節2017《妮娜·祭品物質化》NINA·materialize sacrifice,Hong Kong
[亞洲當代舞團展演]
日本舞設限舞團《妮娜 ── 祭品物質化》(香港首演)

日式美學 暗黑上演
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「每位舞者都展現出讓人驚艷的重力和爆炸力,令觀眾全程目不轉睛。」
《朝日報》(日本)

「《妮娜 ── 祭品物質化》的每個細節都體現出金森穰的美感,才能製作出如此強而有力、引人入勝的演出。」《PAR表演藝術雜誌》(台灣)

新潟無設限舞團藝術總監金森穰的《妮娜 ── 祭品物質化》,探究舞者在空間中舞動前如何能強而有力地散發肢體的美及力量,身體又如何接地氣以至被推而不倒?舞台在越南裔法國作曲家 ── 尊室安所創作緊湊的重節奏機械音樂以及在若隱若現的燈光下,彷彿散發著驚慄電影般的張力,既彰顯女舞者們冷靜得如人偶卻又充滿力量、速感、極高控制度的動作,同時突出男舞者任意操縱的狂妄。

作品首演時備受矚目,曾先後到巴黎、莫斯科、華盛頓、首爾及台北等地巡演。
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演出 Performance
無設限舞團 Noism1

編舞及導演 Choreography & Direction
金森穰 Jo KANAMORI

排練總監 Rehearsal Director
井關佐和子 Sawako ISEKI

音樂 Music
尊室安 AN Tôn Thât

服裝設計 Costume Design
廣川玉枝Tamae HIROKAWA(SOMA DESIGN)

椅子 Chair
須長檀 Dan SUNAGA

燈光設計 Original Lighting Design
金森穰、森島都繪 Jo KANAMORI, Satoe MORISHIMA

24.11.2017 (五 Fri) 8pm
葵青劇院演藝廳 Auditorium, Kwai Tsing Theatre
$250, $180, $140

門票現於城市售票網公開發售
Tickets NOW available at URBTIX
訂票 2111 5999 / www.urbtix.hk
票務查詢 Ticketing Enquires: 3761 6661
節目查詢 Programme Enquiries: 2329 7803 / www.ccdfestival.hk
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[Performances of Asian Contemporary Dance Companies]
NINA ── materialized sacrifice by Noism1
(Hong Kong Premiere)

"Each dancer had an overwhelming sense of gravity and forcefulness, so the audience could not take their eyes off them even for a second.” – "The Asahi Journal" (Japan)

"NINA proves, in every detail, Jo Kanamori's sense of beauty and results in forceful and compelling performance." - "The Performing Arts Journal" (Taiwan)

Jo Kanamori, the Artistic Director of Noism1 and choreographer of NINA ── materialize sacrifice, studies how one might produce an energy strong enough to give a sense of the beauty and power to a body before it moves in space, and explores how to create a body which would absorb the energy of the floor and would not fall even when being pushed. French born Vietnamese composer An Tôn Thất creates a compact music with mechanical sound and hammering percussion, together with the mysterious dim stage light, the piece transpires a sense of thrilling tension. The female dancers’ bodies are stiff like robots with no facial expression, yet their movement is sharp, fast and skillfully controlled, contrasting to the powerful but arbitrary manipulation of the male dancers.

Acclaimed as a “compelling work”, NINA has toured to many cities including Paris, Moscow, Washington, Seoul and Taipei.

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Hong Kong

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